YALLFest 2014: A Photo Essay

Thousands of fans filled the streets of Charleston, S.C., for the fourth annual YALLFest, held November 7–8. The event hosted dozens of popular YA authors and offered panel discussions, interactive audience games and readings, as well as an evening party and live music performance. All photos: David Strauss.

A large turnout descended on downtown Charleston for the latest YALLFest.

YA fans donned their matching YALLFest tees outside of the central venue, Charleston Music Hall.

A fan posed with author Laini Taylor for a possible competition of Most Neon-Colored Hair.

The audience filled the Charleston Music Hall for Sara Zarr and James Dashner’s keynote speech.

Keeping the buzzing crowds of YA enthusiasts in order was all-day fun for YALLFest volunteers.

Gayle Forman high-fived a teen reader from her signing line.

The line of people awaiting book signings snaked around the Charleston city blocks.

James Dashner posed with a reader as he signed books.

(From l.): Laini Taylor weighed in during a panel discussion featuring Rainbow Rowell, Stephanie Perkins, David Levithan, Gayle Forman and Matt de la Peña.

Marie Lu signed a stack of books.

Rainbow Rowell and Veronica Roth are joined by a friend at the Disney party.

Ryan Graudin engaged fans in between signatures.

Kwame Alexander got audience members moving during an interactive reading of Acoustic Chicken.

Veronica Roth chatted with her readers as she signed books.

Authors (from l.,) Carrie Ryan, Kwame Alexander and John Parke Davis joined two attendees for an audience participation game of Story Ball.

(From l.,) Pseudonymous Bosch and Adam Gidwitz chatted with festivalgoers at their dual signing.

Author Libba Bray got the crowd going as frontwoman to the all-YA-author band Tiger Beat, featuring Natalie Standiford on bass, Daniel Ehrenhaft on guitar, and Barnabas Miller on drums.

With this year’s stack of books signed, readers have another year of new books ahead before YALLFest 2015.

 

 

http://www.publishersweekly.com/pw/by-topic/childrens/childrens-industry-news/article/64726-yallfest-2014-a-photo-essay.html?utm_source=Publishers+Weekly&utm_campaign=03ce853c6d-UA-15906914-1&utm_medium=email&utm_term=0_0bb2959cbb-03ce853c6d-304424309

Guest Blogger: Christopher Paul Curtis

TeachingBooks.net is delighted to welcome award-winning author Christopher Paul Curtis as our featured guest blogger.

Each month, we ask one distinguished author or illustrator to write an original post that reveals insights about their process and craft. Enjoy!

Christopher Paul Curtis

Conversations with Characters

by Christopher Paul Curtis

School (Buxton, Ontario circa 1912)

I enjoy writing in the first person. I feel it gives readers immediate insight into a novel’s protagonist; from the beginning of the story they’re inside the head that person—with all the confusion and clarity that it entails. So, when I begin to write a book, I simply sit in a not-too-quiet place (usually the library) and have an internal conversation with whomever it is that’s narrating the work, and I start taking dictation. (Old-timer’s term, look it up.) It’s a fascinating process because so often I learn from this character that the tale I’m set on telling is all wrong.

For that reason, it’s always difficult for me to say when exactly a particular story began. It never ends up being what it started as—rather, it evolves. But just as a paleontologist can use fossil records to glean the roots of a particular species, I can look back at my notes and drafts and if I’m lucky, surmise how I arrived at my final story.

In the case of The Madman of Piney Woods (Scholastic, 2014), its origin can be found in the pages of Elijah of Buxton (Scholastic, 2007) and in the research I did while I explored Buxton, Ontario. As I visited that town and walked through its fields, it occurred to me that so many dramatic, heartbreaking, and uplifting stories had taken place in this small patch of Canada. I couldn’t believe there hadn’t been more written about it. My second thought was, “I’d better hurry up and get this book done before someone else beats me to the punch!” After I finished writing Elijah, I knew I would be coming back to Buxton. I wanted to learn more about the characters that inhabited that place and those pages.

Train station (Buxton, ON)

I’m aware that sequels can be tricky. An author who revives characters that readers have grown to love does so at his or her own peril. And more often than not, a sequel can actually damage the original. I didn’t want to write about Elijah again, so I advanced the story 40 years with another young narrator. Benji Alston came to me easily and soon I was listening to him about his desire to be a newspaperman.

Log cabin originally built in 1852, before restoration (Buxton, ON)

I’m unable to uncover how Alvin “Red” Stockard became an integral part of the book, but while researching Canadian life in the early 20th century I came across information on the Irish Coffin Ships. As I read the descriptions of the conditions on these vessels of death, I couldn’t help thinking about the similarities between them and the slave ships of the 17th, 18th, and 19th centuries. Next thing I knew, I heard the voice of a boy with red hair, the grandson of an Irish immigrant to Canada, who insisted on being part of the story. 

As I listened to these boys, I was struck by how similar they were. There were physical and family differences, but they were both 12-year-olds on the verge of discovering their place in the world—and a lasting friendship. It’s clear to me that this is where Piney Woods began.

Students outside of the school in Buxton (Buxton, ON circa 1913)

That is, of course, an oversimplification of the creative and writing process. But as complex as it is, I find it is easiest to understand in its simplest terms. All I know is that when I’m writing a book, my characters set me straight many, many times—and before you know it I have another novel.

If you have half the fun reading it that I did writing it, all is well.

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Photos courtesy of Spencer Alexander, curator of the Buxton Museum.

Text and images may not be reproduced without the express written consent of Christopher Paul Curtis.

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Learn why Christopher Paul Curtis includes Paul in his name.

Use this Meet-the-Author Book Reading featuring Christopher Paul Curtis to introduce The Madman of Piney Woods to students.

See all available teaching resources about Christopher Paul Curtis and his books.

– See more at: http://forum.teachingbooks.net/?p=14220#sthash.75jNz27V.dpuf

5 Contemporary Young Adult Novels Adults Should Read

Please note: If you recommend these books to your students, keep in mind these novels are for high school (possibly very mature 8th grade) readers.

 

The recent success of both the novel and film “The Fault in Our Stars” has instigated a cage match of brawling pundits discussing the pros and cons of adults reading young adult literature.

At the core of the discussion is the recent study that showed that 55 percent of people who buy young adult books are older than 18 (28 percent of whom are ages 30 to 44). Some literary snobs have argued that reading YA fiction keeps adults from exploring the richer, more complex novels addressing the conflicts of their ages.

They dismiss them as trivial or melodramatic or superficial. Many of them are, just as many adult novels are. Mixing in a few with your usual reading list will remind you of what it’s like to be young and afraid in a world of adults who don’t remember what you’re going through.

Some YA fiction rivals adult literary fiction in terms of nuance, subtlety and thematic depth. As Stephen Colbert recently said on his show, “As far as I can tell, a young adult novel is a regular novel that people actually read.”

One reason YA fiction has consistently gotten better is that so many great adult writers have taken to writing them, including Elmore Leonard, Sherman Alexie, Gillian Flynn, and Michael Chabon. Another reason is that adult readers can relate to the coming-of-age stories because they’ve grown to realize that life is a whole series of coming-of-age transitions in which we have to keep releasing notions of our past selves and redefining ourselves at a new and unfamiliar age. Becoming a senior citizen is not that different than becoming a teenager in some very basic ways.

Following the success of my children’s book “What Color Is My World: The Lost History of African-American Inventors,” I started writing a series of novels for middle-schoolers about some brainy basketball-playing kids, the first of which, “Sasquatch in the Paint,” came out last year.

I could say that my reading of YA novels was merely research, but the truth is that I’ve always loved YA novels. The novels I read growing up include “The Three Musketeers,” “Lord of the Flies,” “To Kill a Mockingbird,” “Huckleberry Finn” and “The Catcher in the Rye,” among many others. Those works inspired and shaped me as the man I would become, and they continue to remind me of the values of compassion and courage I still embrace.

As an adult, I focused more on history books, literary fiction and mystery novels, but I still occasionally returned to YA fiction to recharge my sense of wonderment. Novels such as S.E. Hinton’s “Rumble Fish,” Alice Walker’s “The Color Purple,” Robert Cormier’s “The Chocolate War,” and Paul Zindel’s “The Pigman” are as exciting, moving and insightful as anything else you’re likely to read.

Today, I’m a senior adult, long past the expiration date of the demographics for young adult fiction. Yet I am always delighted when I find a new YA novel that surprises me with its boldness and audacity.

Here are five such books that I’ve recently read I think will surprise and delight you:

1. ‘This is What I Did:’ by Ann Dee Ellis

The capitalization and punctuation in the title are not a mistake, but part of the very original style. The guilt that eight-grader Zyler feels over an incident from his past is the conflict at the center of this uncompromising and often funny story. The mystery about what happened to him intensifies as the novel progresses because Zyler’s guilt keeps getting worse, making him even more of an outcast. What’s remarkable here is Ellis’ unique style of brief one-sentence paragraphs that stack up like a powerful poem.

2. ‘Monster’ by Walter Dean Myers

Sixteen-year-old African-American Steve Harmon is on trial for his life. But as the trial progresses, Steve recalls the events that led to his arrest, and the reader sees that nothing is what it seemed. Steve, an aspiring filmmaker, deals with the horror of the trial and his incarceration in juvenile lock-up by writing those sections in a screenplay format, as if it were all a movie happening to someone else. That creative approach makes us wince and squirm even more as we compulsively flip pages to learn his fate. You won’t soon forget this haunting novel.

3. ‘Slave Day’ by Rob Thomas

(Page 2 of 2)

Author Rob Thomas is also the creator of one of my favorite TV shows, “Veronica Mars.” Before becoming a Hollywood bigshot, Thomas wrote several excellent young adult novels, including another of my favorites, “Rats Saw God.”

Slave Day was once a popular fundraising tool in high schools during which students and faculty were auctioned off as “slaves” for the day. The theme was usually ancient Rome in an effort to avoid any insulting connotations about our own past. Thomas’ novel is about such a day at a high school, with multiple narrators revealing how the concept of Slave Day forces them to re-evaluate who they really are and how much of a slave they’ve been to the idea of who other people want them to be.

I especially like the battle between two black characters, one who uses the event to further his own ambitions and popularity, and the other who has some vague political agenda. Both discover truths about themselves they didn’t realize. Very clever, very funny and socially savvy.

4. ‘Dare Me’ by Megan Abbott

The moment you start reading this novel about the infighting among a group of cheerleaders, you know you are waist-deep in a story as politically riveting and scary as “All the President’s Men.” The style is lean, yet poetic, and the characterization is as sharp as the cutting stares they exchange. What makes this so effective is that Abbott doesn’t demean the girls by making them “Mean Girls” clones. She takes them and their ambitions seriously.

5. ‘Au Revoir, Crazy European Chick’ by Joe Schrieber

Forget theme and insight here. Start reading and hold on, because this novel rockets straight ahead so fast that you’ll feel the G-force on your face. High school student Perry is stuck taking the quiet, reserved foreign-exchange student, Gobija, to prom. But she’s not the shy wallflower he thought she was, and now he’s fighting off international assassins while learning some sobering truths about his own family. When you’re done you’ll wish there was a sequel. Then you’ll be happy to find out there is: “Perry’s Killer Playlist.”

Kareem Abdul-Jabbar’s column runs Sundays in the Los Angeles Register. Follow Kareem on Twitter @KAJ33 and at Facebook.com/KAJ

By Kareem Abdul-Jabbar / Los Angeles Register Columnist June 27, 2014 Updated 8:43 p.m.

 

http://www.losangelesregister.com/articles/adult-601508-novels-novel.html

Why Readers Are…

“Ever finished a book? I mean, truly finished one? Cover to cover. Closed the spine with that slow awakening that comes with reentering consciousness?
You take a breath, deep from the bottom of your lungs and sit there. Book in both hands, your head staring down at the cover, back page or wall in front of you.

You’re grateful, thoughtful, pensive. You feel like a piece of you was just gained and lost. You’ve just experienced something deep, something intimate… Full from the experience, the connection, the richness that comes after digesting another soul.

[…]

It’s no surprise that readers are better people. Having experienced someone else’s life through abstract eyes, they’ve learned what it’s like to leave their bodies and see the world through other frames of reference. They have access to hundreds of souls, and the collected wisdom of all them.”

…read on why readers are, “scientifically,” the best people to date. Perhaps Kafka’s timeless contention that books are “the axe for the frozen sea inside us” applies equally to the frozen sea between us.(via explore-blog)

‘Mockingbird Next Door’: A Genteel Peek Into Harper Lee’s Quiet Life

July 14, 2014 3:32 PM ET

Warning: mature content

It’s probably the most oft-cited literary fantasy of all time: I’m talking about that passage in Catcher in the Rye where Holden Caulfield says: “What really knocks me out is a book that, when you’re all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesn’t happen much, though.”

It sure didn’t happen very much with J.D. Salinger, who hid out in the New Hampshire woods for over half a century until his death in 2010. A reporter for the Chicago Tribune named Marja Mills, however, had better luck with another famous literary recluse. In 2001, she picked up the phone and heard these words: “Miss Mills? . . . .This is Harper Lee. . . . I wonder if we might meet.”

So began a professional relationship that morphed into something more. At the time of that phone call, Mills was in Lee’s hometown of Monroeville, Ala., doing research for a story on To Kill a Mockingbird, which had just been chosen by the city of Chicago for the “One Book, One City” reading program. As any intrepid reporter would, Mills had knocked on the front door of Lee’s house — and to her surprise, the door was opened by Lee’s older sister, Alice, who, at the time, was 89 and still practicing law. Alice had liked what she’d heard about Mills from other townspeople and she invited the reporter in to chat and tour the modest home —outfitted with an old plaid couch, a small TV, and books, books, books — which she shared with her famous baby sister, whom she called “Nelle.” That magical phone call from Harper Lee came the next day, and Mills was soon paying “social calls” to the two sisters and returning again and again to Monroeville, the inspiration for the fictional town of Maycomb in To Kill a Mockingbird. In 2004, at the Lee sisters’ urging, Mills rented the house next door and lived there for 18 months. She had coffee in the mornings with Harper Lee at the local McDonald’s and went to exercise class with her to work off their dinners at Melvin’s barbecue joint. They even did their laundry together at the Excel Laundromat. All the while, with the Lee sisters’ permission, Mills was recording conversations and taking notes. The result is a charming-if-slight book called The Mockingbird Next Door that provides glimpses into the twilight years of Alice and Harper Lee.

As a writer, Mills continues to be a respectful guest of the Lee sisters, so don’t expect insider gossip here about Harper Lee’s sexuality or a big revelation about why she never wrote another novel after To Kill a Mockingbird. Instead, the two most startling disclosures Mills makes are that Lee liked to go to Atlantic City and play the slots and that she called Truman Capote a “psychopath.” (Capote, you might know, was Harper Lee’s childhood friend — immortalized as “Dill” Harris in To Kill a Mockingbird. Together they worked on Capote’s masterpiece, In Cold Blood, but he became consumed by envy over Harper Lee’s astounding success).

Rather than warmed-over gossip, what The Mockingbird Next Door does offer is a rich sense of the daily texture of the Lee sisters’ lives. By the time she moved to Monroeville, Mills had been diagnosed with Lupus and was out on disability from the Chicago Tribune. Consequently, she entered easily into the world of the Lees and their “gray-haired crew” — all of them shared aching joints and free time to talk about books and local history, to go fishing and take long car rides into the country. Mills says she had to watch herself with Harper, who had more of an “edge” than her older sister Alice. Whereas Harper could shut down a conversation with a frosty stare or a few choice cuss words, Alice comes off as gracious, grounded and principled. During her long legal career, she was a steady proponent of The Civil Rights Movement, prompting Harper Lee to refer to Alice admiringly as: “Atticus in a skirt.”

The world that Mills was invited into over a decade ago has disappeared: both Alice (now 102) and Harper Lee (now 88) are in nursing homes, memories faded. Fortunately, in Mills, the sisters found a genteel family chronicler knocking at their door at the eleventh hour.


TKAM pic

Photo: Book author Harper Lee and Mary Badham (in the tire swing), who plays Scout in the film version of “To Kill a Mockingbird,” are shown on a film set at Universal Studio in 1961.

Link to NPR article: http://www.npr.org/2014/07/14/331050607/mockingbird-next-door-a-genteel-peek-into-harper-lees-quiet-life

At 54, ‘To Kill a Mockingbird’ is now an e-book

At 54, ‘To Kill a Mockingbird’ is now an e-book
By Caitlin Schmidt , Special to CNN

updated 8:09 AM EDT, Fri July 11, 2014 CNN.com
(CNN) — Harper Lee’s “To Kill a Mockingbird” celebrates its 54th birthday today, and for the first time, it’s available as an e-book.Since it was published July 11, 1960, the Pulitzer Prize-winning novel has sold more than 30 million copies worldwide and been translated into 50 languages. In 1999, it was voted best novel of the 20thcentury by Library Journal. Until this week, though, it had never been available as an e-book.

The story
“To Kill a Mockingbird” is a coming-of-age story about two children in the South, Scout and Jem Finch.While their lawyer father, Atticus, defends Tom Robinson, a black man wrongly accused of rape, thechildren are fascinated by a mysterious neighbor, Boo Radley. Through the trial and their experiences int heir hometown of Maycomb, Alabama, Scout and Jem learn about racism and acceptance in the 1930s’ Deep South.

The author
Born in 1926, Lee spent her childhood in Alabama before moving to New York when she was 23. She struggled with odd jobs over the years and, in 1956, decided to write full-time. She found a publisher interested in her novel and completed it three years later. In “Mockingbird,” a 2006 biography about Lee, author Charles J. Shields, wrote that the novel is partially autobiographical, based on Lee’s childhood in Monroeville, Alabama. Similar to the young protagonist in “To Kill A Mockingbird,” Lee was a tomboy whose father was a lawyer. Amazon’s 100 books to read in a lifetime. The town where the novel takes place is based on her hometown, and the fictional trial in “Mockingbird” closely parallels the 1931 Alabama “Scottsboro Boys” trial. Lee has said that although she didn’t want the trial in her book to be as sensational, her intent was to expose the longstanding racial disparities in the South. It’s also believed that she based the character of Scout’s playmate, Dill, on her childhood friend, Truman Capote. The two remained close as adults, and after the release of “To Kill a Mockingbird,” Lee traveled toKansas with Capote to research an article he was writing for the New Yorker. That article would later become his famous true-crime story, “In Cold Blood.”

The book

The book was released in July 1960 and flew off the shelves, but critics had mixed reviews. Some praised
it for pushing the envelope with its social commentary, while others found its characters, both black and white, to be poor representations [of] people of the South and their lives. Although it’s considered a classic,the book is still among those challenged and banned in schools and libraries, often because of language or its themes around race.

Although Lee humbly accepted the success and praise around “To Kill a Mockingbird,” she’s always been reclusive, avoiding the spotlight and media attention. She began work on another novel in the early 1960s,but “Mockingbird” was her only published work. Fiercely protective of the novel, she’s been involved in several lawsuits regarding copyright issues and unauthorized merchandise being sold in her hometown.

The film and the future
In 1962, the novel was made into an Oscar-winning film starring Gregory Peck as Atticus Finch. Lee was pleased with the film adaptation, praising Peck’s portrayal of the small-town lawyer, and called the film a work of art.This year, Lee finally gave permission for the novel to be published as an e-book and digital audio editione-book, saying, “I am amazed and humbled that ‘Mockingbird’ has survived this long. This is ‘Mockingbird’for a new generation.”

© 2014 Cable News Network. Turner Broadcasting System, Inc. All Rights Reserved.

http://www.cnn.com/2014/07/11/living/to-kill-a-mockingbird-e-book-anniversary-books/index.html?hpt=hp_bn11

Eight Reasons Why Print Trumps Digital for Reading

SLJ1407w-FT_ScreenTime-SB-BKcoversEight Reasons Why Print Trumps Digital for Reading

By Annie Murphy Paul

Given the focus on ebooks these days, could old-fashioned print books provide a superior reading experience? Actually, yes—especially for young children whose literacy skills are just beginning to emerge. Here are eight reasons to keep recommending traditional books:

1. No need to make choices. Lacking hyperlinks, paper books enable total immersion in reading—no need to continually pause and ask, “Should I click on this?”

2. No distractions within the text. Research suggests that the visual and aural gimmicks and game-like features embedded in many kids’ ebooks draw young readers’ attention from the written words, diminishing their memory of what was read.

3. No Internet temptations. The only thing you can do with a paper book is read it, while with Web-enabled ereaders, the temptations of the Internet are a click away.

4. Imagination required. Without the bells and whistles of ebooks, young readers must mobilize their own imaginations to fill in the gaps left by authors and illustrators: what a character looks like, for example, or the sound an animal makes.

5. Satisfaction of the senses. The smooth feel of paper and the rich colors of illustrations are largely lost in ebook reproductions. The distinctiveness of the reading experience is reduced, as well—such as when an oversized picture book is squeezed down to the size of an ereader screen.

6. Literary attitudes. Children accustomed to using digital devices for fast-paced entertainment may approach an ereader with the same expectations, while a printed book comes with an entirely different set of associations: a quiet focus on words and stories.

7. Easy to share. A printed book lends itself to being shared by children and adults, while an ebook may not be shared quite so easily. Research suggests that parents reading ebooks with their children are less likely to stop and ask questions or make comments, and more likely to issue commands (“Swipe the page now,” “Don’t touch that button!”).

8. Strong selection. The number of quality children’s books published in paper still vastly outnumbers those available in a digital format. Research suggests that the ebooks selected most often by children and parents are more akin to movies than to books, and thus of dubious value in promoting emerging literacy.

 

slj.com/2014/07/technology/eight-reasons-why-print-trumps-digital-for-reading/

http://www.slj.com/2014/07/technology/eight-reasons-why-print-trumps-digital-for-reading/

Classic books on Audio

By Joyce Saricks

Revisit the classics with these audiobooks featuring some extraordinary readers.

Alice’s Adventures in Wonderland. By Lewis Carroll. Read by Miriam Margoyles. 2010. 3hr. Brilliance/Bolinda, CD, $54.95 (9781742147130).

Anne Frank: The Diary of a Young Girl. By Anne Frank. Read by Selma Blair. 2010. 10hr. Listening Library, CD, $40 (9780739368169).

The Call of the Wild. By Jack London. Read by Jeff Daniels. 2010. 3hr. Listening Library, CD, $30 (9780307710284).

The Merry Adventures of Robin Hood. By Howard Pyle. Read by Simon Vance. 2010. 9.5hr. Tantor, CD, $65.99 (9781400147052).

Old Yeller. By Fred Gipson. Read by Peter Francis James. 2010. 4hr. Caedmon, CD, $22.99 (9780061960765).

Peter and the Wolf. By Sergie Profoviev. Read by Jim Dale. 2011. 25min. Brilliance, CD, $29.97 (9781455825455).

The Red Badge of Courage. By Stephen Crane. Read by Scott Brick. 2011. 5.5hr. Listening Library, CD, $40 (9780736686907).

The Secret Garden. By Frances Hodgson Burnett. Read by Finola Hughes. 2011. 8.5hr. Listening Library, CD, $37 (9780307746122).

Wonderful Wizard of Oz. By L. Frank Baum. Read by Brooke Shields. 2012. 4hr. Listening Library, CD, $30 (9780307941633).

A Wrinkle in Time. By Madeleine L’Engle. Read by Hope Davis. 2012. 6hr. Listening Library, CD, $25 (9780307916594).

teachingbooks

For more on the books mentioned here, see these related web resources.
http://www.teachingbooks.net/tb.cgi?lid=3729